How much money did cbs make from star trek discovery

Is that the fake redhead woman? Berg Aaron Harberts Alex Kurtzman. Bakula can better play the everyman. Star Trek: Discovery at Wikipedia’s sister projects. November 13, [].

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Launched init is the first scripted series developed specifically for that service. The seventh series in the Star Trek franchise, it was disfovery first series in the franchise since Star Trek: Enterprise concluded in Star Trek: Discovery cgs roughly a decade before the events of the original Star Trek seriesand follows the crew of the USS Discovery on various adventures. The series was announced in Novemberwith Fuller acting as showrunner from February to October but leaving due to creative differences with CBS. He was replaced by Gretchen J.

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S1 E1 The Vulcan Hello. While patrolling Federation space, the U. TV V. Watch Now. S2 E1 Jan 17, Brother.

Launched init is the first scripted didd developed specifically for that service. The seventh series in the Star Trek franchise, it was the first series in the franchise since Star Trek: Enterprise concluded in Star Trek: Discovery begins roughly a decade before the events of the original Star Trek seriesand follows the crew of the USS Discovery on various adventures. The series was announced in Novemberwith Fuller acting as showrunner from February to October but leaving due to creative differences with CBS.

He was replaced by Gretchen J. Berg and Mak Harbertswho received producing support from Akiva Goldsman. Goldsman did not return after the first season, while Berg and Harberts were fired by CBS during production on the second; Kurtzman took over as showrunner, and was joined by Michelle Paradise for the third season. The rest of the episode first season was streamed weekly on All Access, ending in February The season’s release led to record subscriptions for All Access, and positive reviews from critics who highlighted Martin-Green’s performance.

The episode second season was released from January to Apriland the episode third season is expected to debut in The series sar the dkd of a wider expansion of the Star Trek franchise by CBS and Kurtzman, leading to multiple other series being produced, including the direct spin-off companion series Star Trek: Short Treks.

Fuller had publicly called for Star Mzke to return to television for years, particularly because of its impact on minority groups, as he explained, «I couldn’t stop thinking about how many black people were inspired by seeing Nichelle Nichols on the bridge of a ship.

I couldn’t stop thinking about how many Asian people were inspired by seeing George Takei and feeling that gave them hope for their place in the future. I wanted to be part of that representation for a new era. Fuller compared this to what American Horror Story did for horror, and described the proposal as a platform for «a universe of Trek shows».

CBS instead suggested he create a single serialized show to see how that how much money did cbs make from star trek discovery first, and Fuller began further developing the concept of a prequel to The Original Series. Fuller announced in June that the first season would consist of 13 episodes, [45] though he would prefer to produce 10 episodes a tfek moving forward. The production was starting to overrun its per-episode budget, and was falling behind schedule due to Fuller supervising all aspects of the series while also serving as showrunner on another new show, American Gods.

This caused frustration among CBS executives who felt Fuller should be focused on having Discovery ready for release by the January premiere date. By AugustFuller had hired Gretchen J. Berg and Aaron Harbertswhom he had worked with on Pushing Daisiesto serve as co-showrunners with.

CBS reiterated that they were «extremely happy with [Fuller’s] creative direction» for the series, [50] though some elements of the series that came directly from Fuller were dropped, including some designs and «more heavily allegorical and complex story» points.

With production set to finally begin on the satr in January»a lot of careful deliberation [was] continuing to go into making Discovery special, from the choice of directors, to set design, to the special effects. This break gave more time to complete post-production on the second half of the season.

By the end of August, Berg and Harberts had developed a «road map» for a second season, and «the beginnings of one» for a. This exceeded the original Netflix deal, but CBS now considered the series paid for due to the number of new All Access subscribers that it was expected to draw.

Despite this, he dlscovery a second season would be available in early This was due to the first episode of the season going significantly over budget, and alleged abusive behavior by the pair directed at the series’ writing staff. Kurtzman was made sole showrunner, and was set to «regroup» the writers without causing any delay to the season’s production timeline.

After Kurtzman took over, the second season was confirmed to be on track for a January premiere, [67] though there ultimately was enough of a mucb in production that CBS extended the season’s episode count to 14 as a way to amortize the cost of the delays.

The series’ writers room is based at Kurtzman’s Secret Hideout offices in Santa Monica[72] and includes «fans who all have very different relationships to Trek ,» which Kurtzman said is «a healthy thing».

He and Kurtzman developed this story from the «DNA» of certain The Original Series vid to find «the spirit of what Star Trek offers, both in terms of high-concept science fiction storytelling and stwr wonderful metaphors for the human condition».

Fuller had been one of several writers during the s pushing for Deep Space Nine and Voyager to move towards this style.

Fuller said the series could «push the content envelope since it won’t be constrained by broadcast standards», but «it’s still Star Trek. It will probably be slightly more graphic content I imagine we’re going to shoot scenes a couple of ways and see what feels more authentic in the editing room. Harberts explained, «We’re trying to do stories that are complicated, with characters with strong points of view and strong passions. People have to make mistakes—mistakes are still going to be made in the future.

We’re still going to argue in the future By June ttek, Fuller had met with several actors, and said that «we want to carry on what Star Trek does best, which is being progressive. So it’s fascinating to look at all of these roles through a colorblind prism and a gender-blind prism». He said the series would also include more alien characters than other Star Trek series, and would feature at least one openly gay character.

Fuller, who is gay himself, had been determined to see this happen since receiving dic mail while working on Voyager when a character on that ccbs was rumored to be coming out as gay.

By August, Fuller had discussed the series’ casting with Mae Jemisonthe first black woman in space who made a cameo appearance in an episode of The Next Generation. The majority of the series main characters were believed to have been cast by then, but no actress had been cast for the series’ lead role.

This was a source of «some internal stress» at CBS. Rapp revealed in July that Wilson Cruzwhom Rapp had previously worked with on the musical Rentwould portray Stamets’s love interest Hugh Culber.

However, the executive producers of the series, Cruz, and GLAAD immediately released a statement saying «death is not always final in the Star Trek universe» and that the relationship between Culber and Stamets would continue to be explored. Disscovery described it as one of the most important relationships in the series.

Mark Worthington and Todd Cherniawsky served as initial production designers for the series, [93] with Tamara Deverell taking over during production on the first season; [94] Gersha Phillips and Suttirat Anne Larlarb designed the costumes for the series; [4] [95] veteran Star Trek designer John Eaves designed starships with Scott Schneider; [96] [97] Glenn Hetrick and Neville Page of Alchemy Studios provided prosthetics and armor, [4] [98] with Page having previously designed for the «Kelvin Timeline» Star Trek films; [99] and Mario Moreira served as prop master for the series.

Fuller said on the general approach to design on the show, «we’re producing the show in We have to update the style of the effects, the style of the sets, the style of moeny makeup The main uniforms seen in the series are a navy blue specifically mixed for the show, with gold or silver embellishments depending on the division of the officer.

Medical officers wear a «hospital white» variant, also custom-dyed in Switzerland, while the captain’s uniform is the standard navy blue but with additional gold piping on the shoulders. Props such as tricorders and hand scanners, communicators, and phasers were produced with 3D printing and heavily inspired by their designs in The Original Series. The graphics used for the Starfleet computer systems were designed to be believably more advanced than modern technology, but to also «honor the look and feel» of the designs used in previous series.

The initial colors allowed for the graphics were mostly restricted to blues, with the intention of these becoming more colorful the closer the series gets to the time period of The Original Series. The opening title sequence for the show was created by Prologue using 2D motion graphics. The sequence, which fbs a «vivid, sepia-soaked palette», depicts elements from throughout the history of Star Trek —such as phasers, communicators, and the Vulcan salute—and deconstructs.

A theme of «blueprints» was decided for the sequence to acknowledge that it is a prequel, «literally deconstructing Trek iconography». Gow explained that original plans were for the sequence to be in black and white, but this was found to be too «cold» and was replaced with a Renaissance -inspired sepia look «to make it look like we are designing everything from scratch». The sequence was completed before the theme music for the series was finalized. When updating the sequence for the second season to deconstruct new elements specific to that story—including the Captain’s chair and the «Red Angel»—Prologue was able to match the rhythm of the music more closely than they were for the first season.

The sequence was updated again for the third season. For the visual scope of the series, Kurtzman felt that the show had to «justify being on a premium cable service». A more kinetic camera, a more dynamic way of existing». Visual effects producers were hired to begin work on the series during the initial writing period, with Fuller explaining that the series would require such things as «digital augmentation on certain alien species» and «the transporter beams».

He said, ffom trying to cultivate distinct looks for all of those things that are unique to our version of Star Trek and carry through the themes we love seeing in fifty years of Star Trekbut doing a slightly different approach. The first teaser for the series featured music composed by Fil Eisler, which he «threw together as an audition» within three weeks. In JulyJeff Russo was announced as composer for the series. The first full trailer for the series was released in May Star Trek: Discovery is real, and now we have proof.

News described the trailer as «gorgeous» and «truly cinematic», and because of the appearances of Sarek and the Klingons in the footage, «this is the Star Trek you know and love. She continued, «What gets short shrift in this trailer is the series’ overarching plot In any case, seeing the Klingons in all their combative glory feels a bit like coming home for Trek fans.

CBS Consumer Products senior vice president Veronica Hart explained that McFarlane was chosen as the first licensee for the series because of its «commitment to quality and dedication to fans».

The deal will also see the company «create merchandise from the entire Star Trek universe, ranging from the classic The Original Series to its popular movie franchise. Subsequent first-run episodes stream weekly on All Access. The website’s critical consensus reads, «Although it takes an episode to achieve liftoff, Star Trek: Discovery delivers a solid franchise installment for the next generation—boldly led by the charismatic Sonequa Martin-Green.

The website’s critical consensus reads, «The second season of Discovery successfully—if stubbornly—cleans up the problematic storylines of Trek past while still effectively dramatizing new takes on the lore. InNerdist ranked Star Trek: Discovery the fourth dixcovery television series out of seven in the Star Trek franchise. They call it «a very ambitious show that does a lot of things right, but just as many things wrong», praising the «uniformly wonderful» cast and high production values, but criticising the writing as «hit and miss».

In AugustEgyptian video game developer Anas Abdin announced that he would be suing CBS for allegedly infringing his creative property by copying elements of his unreleased videogame Tardigrades[] including oversized tardigrades and similar characters. The lawsuit was dismissed by Judge Lorna G. Schofield in Septemberfinding that the series and videogame were not «substantially similar as a matter of law», and that the only similarities were the space setting and the use of alien tardigrades.

In Juneafter becoming sole showrunner of DiscoveryKurtzman signed a five-year overall deal with CBS Television Studios to expand the Star Trek franchise beyond Discovery to several new series, miniseries, and animated series. Kurtzman announced in July that a spin-off miniseries of shorts would be released between the first two seasons of Discovery to «deliver closed-ended stories while revealing clues about what’s to come in future Star Trek: Discovery episodes.

They’ll also introduce audiences to new characters who may inhabit the larger world of Star Trek. By NovemberMichelle Yeoh was in talks with CBS to star in a spin-off series as her character Philippa Georgiou, with the series expected to follow her adventures as a member of the secretive organization Section After it was confirmed that Anson Mount would be leaving Star Trek: Discovery with the second-season finale, fans of the series began calling—including through online petitions—for him to reprise his role of Christopher Pike in a spin-off set on the USS Enterprisealongside Rebecca Romijn as Number One and Ethan Peck as Spock.

Mount and Peck both responded positively to the idea, [] [] though Mount said hhow return would involve «a lot of creative conversations». Anything is possible in the world of Trek.

I would love to bring back that crew more than. Beyer, the writer of many Star Trek: Voyager novelsexplained that she would work with fellow Star Trek novelist David Mack and Star Trek comic writer Mike Johnson to ensure that all three media «are coming from the same place». The release of the books and comics was set to coincide with the series’ premiere. That made it a challenge to represent that era faithfully while also staying true to the new elements being introduced» in the new series.

Beyer explained, in Augustthe series’ writers’ intentions, saying, «We want to be able to take the story opportunities that we’re just frankly not going to have time to cover in the show, and go as deep into those into the various formats sttar we. It’s not that you have to read these stories to dsicovery everything, but the story will be incredibly enhanced if you. The danger is that, in the future, somebody will come upon with an amazing story idea that would be incompatible with what we’ve already established and just like always, the series mxke going to take priority.

Why I QUIT Star Trek Discovery Reviews — An Open Letter To CBS All Access — TALKING STAR TREK

Most of the season 2 episodes have been around the 50 minute mark with the premiere at 1 hour which is definitely longer than the stardard network. Alex Kurtzman. Outstanding Special Visual Effects. February 18, pm. United States: Fansided.