How can i make money from my comic

Most people in the industry tell you to stay away from Facebook as it’s primarily for an older audience and can also damage your credibility with a younger audience. The latter seems to be the way most people go. Merchandise and print sales require more work from you to set them up, plus you need to make your strip super loveable to convince people to buy. None of the above include trades. February 20,

Making Money with Web Comics

Not many Web cartoonists are able to support themselves on cartooning. Most Web comics are available for free. Cartoonists might find it challenging to convince potential readers to pay for a Web comic — why spend money on something you may not like when there are thousands of free comics on the Web? Web cartoonists can also make cn through appearances at comic conventions. Conventions range in size from small groups of a few hundred attendees to massive gatherings numbering more than 50, people. Many of these conventions include an area where fans can meet their favorite artists.

The Best Way to Make Money in Comics? Give Them Away for Exposure!

As Gillen points out, numbers for a creator owned Image book are a lot different than for a Marvel or DC book, where such a number would be in the danger zone. Actually, that number would indicate that Gillen and his collaborator Jamie McKelvie could possibly buy me a beer at some point. Anything selling stably over 10k in single issues is a cause for celebration and joy. The creators are almost certainly extremely happy. And in a real way, if Phonogram settled around 6k back in , I suspect Jamie and I would have settled into doing it for another 40 or 50 issues. None of the above include trades. You throw trades in, and you change everything entirely.

Method #1: Web Ads

As Gillen points out, numbers for a creator owned Image book are a lot different than for a Marvel or DC book, where such a number would be in the danger zone. Actually, that number would indicate that Gillen and his collaborator Jamie McKelvie could possibly buy me a beer at some point.

Anything selling stably over 10k in single issues maake a cause for celebration and joy. The creators are almost certainly extremely happy. And in a real way, if Phonogram settled around 6k back inI suspect Jamie and I would have settled into doing it for another 40 or 50 issues. None of the above include trades. You throw trades in, and you change everything entirely. And how many Image books are selling that? And mohey still not talking an insane gow of money.

But still, you CAN make money making comics!!! Most people in every creative endeavor are never going to reach the highest highs, and comics are no exception. Image is the best game in town but it has finite resources. Marvel and DC offer good page rates—although Marvel lowered theirs for all but their top creators last year—but the competition is fierce, the politics are daunting and getting established takes a lot of hard work. We need more monet, more competition among publishers, and more safety for creators to make decisions that improve their page rates.

The gloom-and-doom report also failed to note that quite a few of us get advances and royalties van our books, not just a meager page rate. Yeah sure, it takes awhile and some sustained success to reach that point, but plenty.

It always has. Even Kirby said how can i make money from my comic. Successful webcomic creators never had that problem, and realized years ago that the comic itself is only one piece of the puzzle for building a successful career. Can someone clarify the Image business model? I thought the creative team paid Image upfront to print, distribute, and market the book once Image agreed to accept the comicand that any all revenue afterwards went to the creators?

Between crowd funding sites such as KickStarter, Indie GoGo, and Patreon coupled with the digital platform reach of something like Comixology, the chances for comic creators to have their work seen and more importantly purchased, is greater than ever.

Those characteristics are key but coupled with a better understanding of the business side and a little bit of an entrepreneurial spirit, creators can market their work better than ever.

We have patrons. If you price your book at 3. Image does take a fairly small percentage of digital, trade and, if they arrange them, foreign rights sales. They get nothing of any other media, merch, etc unless they were involved in making the deal to make those happen.

The Beat. Tilting at Windmills. Home Culture Cartoonists Hold on, some people are actually making money at comics! None of the above includes digital sales. I still sell that much comic books?

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This means that your webcomic must become a marketing element that convinces your readers to buy other goods from you, which will be part of your survival. One way to make it work would be to run an annual or semi-annual donation drive. With every project, you will get more and more skilled, and your comics cann look better and better. But if it gets you in front of the right audience size, demographics, interests. Well, if your comic characters are loveable, you could sell anything ranging from T-shirts to mugs to posters to toys that depict those characters.